LEAST LIKE THE OTHER, ROYAL OPERA HOUSE “devastatingly potent“
STAGE

AN ANATOMY OF MELANCHOLY, BARBICAN “DEEPLY MOVING“
STANDARD

ELECTRIC FIELDS, LOS ANGELES “A COSMIC JOURNEY“
CLASSICAL VOICE AMERICA

MACBETH, NEW ZEALAND OPERA “A TRIUMPH“
NEW ZEALAND ARTS REVIEW

Le Nozze di Figaro, Opéra national de Paris “exceptionnelles“
Le Figaro

Orphée, English National Opera“impeccable creative vision“
Observer

A Midsummer Night’s Dream, Santa Fe Opera“AN ALL-AROUND MARVELOUS SUCCESS“
BROADWAY WORLD

AMADIGI, GARSINGTON OPERA“A WINNING SHOW“
THE TIMES

LEAST LIKE THE OTHER, IRISH NATIONAL OPERA, “EXHILARATING”
THE TIMES

The Dark Mirror, Barbican Theatre, Lincoln Center, Shanghai, Perth, Taichung“meticulous and fearless“
Observer

Die Zauberflöte Garsington Opera “A Flute for our times“
Times

Erwartung Bergen International Festival“strong and overwhelming“
Tidende

Atthis Royal Opera House, London “extraordinary“
Independent

Alice In Wonderland Los Angeles Philharmonic, Barbican London “Endlessly inventive“
the guardian

Curlew River, Barbican,  Lincoln Center, CalArts, Berkeley “faultless“
Telegraph

Kafka Fragments Royal Opera House, London “a small miracle of perfection“
Times

Where The Wild Things Are Barbican & Los Angeles “stupendous“
Observer

Everlasting Light Aldeburgh Festival “an all-encompassing artwork“
Times

The Way To The Sea Aldeburgh Festival “brilliant, brilliant and brilliant“
Guardian

Les Illuminations Scottish Ensemble “spine-tingling“
Scotsman

Recollections of My Childhood Transition “a total delight“
Telegraph

Acis and Galatea, Wiltons Music Hall “simply breathtaking“
Independent

Mikrokosmos Transition “music made visible“
BBC Music Magazine

Il Trionfo del Tempo e del Disinganno “startlingly original“
Observer